Big Time Li’l Abner
17 03 2008Li’l Abner, which played for three performances last weekend at Yorktown High School, is an old-fashioned musical comedy that lit up The Great White Way for two years a half-century ago (in the good ol’ days when people knew how to contract the word little, because apostrophes replace letters in the middle).
Even students having a lot of fun on stage performing a fast-moving, tuneful show like this one are getting an education, and so is an audience unfamiliar with forgotten gems that are rarely revived anywhere, while we overdose on yet another mediocre rendering of Annie ad nauseam.
Music teacher Tom Arduini, who directed the production to a fine turn — complete with crisply choreographed production numbers and well-projected vocal ensembles — made that point at the curtain of the final performance Sunday afternoon. No, he didn’t mention Annie, but he did offer an incisive observation to the audience in the seats and the students on stage that this is “educational theater, not recreational theater.” That is to say, instead of just performing a show like “Annie” almost by rote for the umpteenth time, as entertaining as it may be, students interested in theater craft stand to learn more by inhabiting shows that plumb deeper into Broadway’s rich history.
Some questioned Mr. Arduini’s choice of musical this year, to say the least, yet he proved crazy like a fox in his choice. Having seen my share of school musicals the past 15 years, this staging of Li’l Abner ranks right up there as one of the very best in memory.
As brought to life by an effervescent cast of talented teens, it was funny, fast-moving, highly tuneful and eminently entertaining. The score was penned by composer Gene DePaul and legendary lyricist Johnny Mercer, a hit machine who turned out many standards of the mid-20th Century.
There was not one, but many, standout performances, yet I hesitate to single out names here because this was a team effort all the way, no less so than a varsity football or basketball or lacrosse team pulling together in the same direction to triumph as a singular unit. And the protean effort actors and stage crews and production teams invest in painstaking rehearsals is no less demanding than the draining two-a-days of pre-season football training.
At the end of Sunday’s show, Yorktown’s own theater impresario, Barry Liebman, managing director of Yorktown Stage, said to me, “Every seat in that auditorium should have been filled.” His point, and mine, is that this was a show well worth seeing. At 10 bucks a pop, there’s no better value around. Somewhat sadly, it’s human nature to respond mostly to marquee names, whether a pop singer or a Broadway show title.
Chatting afterwards in the school parking lot, senior Joe Perkowski, a cast member, who also is on the varsity baseball squad, said how much he enjoyed performing on stage and how much he had learned from Mr. Arduini, including things about himself he may never have discovered had he not stretched and pushed and expressed himself beyond the classroom and ballfield.
It reminded me of another student in whose memory our Foundation proudly supports the performing arts in the schools. “There are no small roles, only small actors,” said one teen performer named Harrison Apar. “That would be me.”
Ah, yes, but when he was on stage, making people laugh by hamming it up, he felt ten- feet tall.
Self-esteem is a beautiful thing, especially in a person who is three-feet tall.
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